DIABOLIKA @ Studio 41, Montreux (ср 16.07.2008)
Флаер
Информация
Дата/Час:
ср 16.07.2008 (23:00 - 05:00)
Минимална възраст: 18
Цена: Gratuit
потребители: 20
Представено от:: Fondation du Festival de Jazz de Montreux
Заглавна страница: http://www.montreuxjazz.com/
Минимална възраст: 18
Цена: Gratuit
потребители: 20
Представено от:: Fondation du Festival de Jazz de Montreux
Заглавна страница: http://www.montreuxjazz.com/
Кой беше там?
20 tilllate потребители бяха на това събитие
място
Aртисти
Стил мизика
House
Описание
Le Montreux Jazz 2008 sur tilllate, c'est ici
Chris Lake
Chris Lake

Hailing from Scotland and now globally recognised as one of the most exciting young producers and DJs to come from the scene in recent years, Chris Lake has made the DJ elite sit up and take notice. His innovative productions are backed by the likes of Sasha, Kleinenberg and Fanciulli while his dynamic and energetic DJ performances have given Chris a major platform on which to proclaim his new found status.
2005 was a landmark year for Chris. His collaborations with Rhythm Code under various guises including Ramsay and LAB produced remixes for the likes of Delacy, Stretch & Vern and Quivver. All of which received the right kind of attention from journalists and clubbers alike; however it was his solo productions which provided Lake with a new level of exposure. The single ‘One Too Many’ got tongues wagging and received two radio plays from Pete Tong, but it was his smash hit ‘Changes’ that catapulted his name into the record boxes of DJs across the globe. Tong made the record Essential New Tune in December 2005, playing it week in-week out and was quick to proclaim Chris as the “best thing to come from Scotland since Mylo.” A plaudit Chris is immensely flattered, although by his own admission “a little confused” by! ...From here on in Chris’s days as a postman were numbered.
‘Changes’ made the UK charts (#27) and gained column inches in tabloid papers and national magazines. The popularity of the track quickly spread from the dance floor to the main stream with the rest of the world keen to follow. The success of one track saw Chris’s DJ schedule skyrocket from local to global. As ‘Changes’ did the rounds across the world’s hotspots Chris found himself playing gigs in Brazil, Russia, Serbia, France, Australia, Tokyo, Shanghai, Dubai and many more destinations in between. It is now signed for worldwide release by label giant Apollo. The follow up ‘Carry me Away’ is signed to MOS and a great example of Chris’s diversity as a producer. The blissed-out vocal track is also set for big things and will be heavily promoted at WMC 2007.
In 2006 Chris set up record label Rising Music to release his own material. Rising 001 & 002 have already been immense club hits, with Rising 001 staying in the Top 3 of the DJ Downloads chart for a month. Rising 003, titled ‘Release’ came next as did remixes including Stretch and Vern ‘Guttersnipe’ (Monotype), Rene Amesz ‘Fragile’ (LMR), Onionz ‘Burnin’ (CR2), Sébastien Leger feat. Gia Mellish ‘Hypnotized’ (Rising Music), Axwell ‘Watch the sunrise’ (Positiva) and his incredible rework of Lifelike and Kris Menace ‘Discopolis’ (Defected).
Rising Music serves to house big-room often vocal led tracks; with this in mind Chris also set up Rising Trax which caters for the more underground records Chris wants to sign. His collaboration with Sébastien Leger ‘The Mistakes EP’ was a hit with over 5,000 downloads already and has prompted the pair to work together again soon.
2007 followed with even more productions, collaborations and big remixes (Robbie William’s ‘She’s Madonna’ is the latest single to get a helping of Chris’s Midas touch). He will also release a ‘Summer Daze’ compilation in Australia in March to coincide with Summer Daze festival and Chris’s tour dates there.
www.chris-lake.com / www.myspace.com/chrislake1
Shlomi Aber
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2005 was a landmark year for Chris. His collaborations with Rhythm Code under various guises including Ramsay and LAB produced remixes for the likes of Delacy, Stretch & Vern and Quivver. All of which received the right kind of attention from journalists and clubbers alike; however it was his solo productions which provided Lake with a new level of exposure. The single ‘One Too Many’ got tongues wagging and received two radio plays from Pete Tong, but it was his smash hit ‘Changes’ that catapulted his name into the record boxes of DJs across the globe. Tong made the record Essential New Tune in December 2005, playing it week in-week out and was quick to proclaim Chris as the “best thing to come from Scotland since Mylo.” A plaudit Chris is immensely flattered, although by his own admission “a little confused” by! ...From here on in Chris’s days as a postman were numbered.
‘Changes’ made the UK charts (#27) and gained column inches in tabloid papers and national magazines. The popularity of the track quickly spread from the dance floor to the main stream with the rest of the world keen to follow. The success of one track saw Chris’s DJ schedule skyrocket from local to global. As ‘Changes’ did the rounds across the world’s hotspots Chris found himself playing gigs in Brazil, Russia, Serbia, France, Australia, Tokyo, Shanghai, Dubai and many more destinations in between. It is now signed for worldwide release by label giant Apollo. The follow up ‘Carry me Away’ is signed to MOS and a great example of Chris’s diversity as a producer. The blissed-out vocal track is also set for big things and will be heavily promoted at WMC 2007.
In 2006 Chris set up record label Rising Music to release his own material. Rising 001 & 002 have already been immense club hits, with Rising 001 staying in the Top 3 of the DJ Downloads chart for a month. Rising 003, titled ‘Release’ came next as did remixes including Stretch and Vern ‘Guttersnipe’ (Monotype), Rene Amesz ‘Fragile’ (LMR), Onionz ‘Burnin’ (CR2), Sébastien Leger feat. Gia Mellish ‘Hypnotized’ (Rising Music), Axwell ‘Watch the sunrise’ (Positiva) and his incredible rework of Lifelike and Kris Menace ‘Discopolis’ (Defected).
Rising Music serves to house big-room often vocal led tracks; with this in mind Chris also set up Rising Trax which caters for the more underground records Chris wants to sign. His collaboration with Sébastien Leger ‘The Mistakes EP’ was a hit with over 5,000 downloads already and has prompted the pair to work together again soon.
2007 followed with even more productions, collaborations and big remixes (Robbie William’s ‘She’s Madonna’ is the latest single to get a helping of Chris’s Midas touch). He will also release a ‘Summer Daze’ compilation in Australia in March to coincide with Summer Daze festival and Chris’s tour dates there.
www.chris-lake.com / www.myspace.com/chrislake1
Shlomi Aber
Dance is a very well travelled phenomenon. It first came to the fore in Chicago, then flew to Manchester via New York, before taking up more permanent residence in London. There were vacations to noticeable destinations such as Amsterdam, Australia, Barcelona and, of course, Italy, before a massive relocation to Berlin. However, its current holiday destination of choice is, without question, Israel. And why? Two words – Shlomi Aber. Over the past Two Years Shlomi’s had the kind of impact usually reserved for inbound meteors, the reason for which is buried in a ground swell of genre-defying appreciation and support. Be it Sven Vath, Carl Craig, Pete Tong, John Digweed, Richie Hawtin or Francois K, all are championing this young prodigy; a comment taken from a recent Radio 1 interview provides a probable insight as to why his productions are hitting such a broad mark, “No matter if it’s hard or soft, it just needs to touch your mind, body and soul at the same time. That's what I call a ‘Good Record’.” This personal approach, married with 8 years production experience that takes influence from jazz, funk, minimal, acid and, in particular, techno means he now boasts some of the world’s most prestigious labels on his ever-expanding CV: Cocoon, Ovum and Renaissance to name but a few. Tracks such as Sea Of Sand, After Love and Tel Aviv Garden have become engraved on Top 10 bestseller lists for 2006, whilst his release "Crop Duster" has already been described in M8 as ‘…a classy piece of main room fodder… a real dance floor hit.’ till his worldwide techno hit with Ovum Recordings " freakside " which no need even to mention why it becomes Shlomi's trademark. The accolades from the press don’t end there either; his sets have also been cited for their unique ability to cohesively traverse genres; DJmag positively wrote in a recent article, ‘Shlomi's sets are full with warm and unique sounds that makes you feel like you are going back to the better days of music, it was something I can’t define just by one word, if I must I will call it something between house and techno. With his fascinating technical skills, accurate programming and music selection, you can just feel the magic in the air.’ Quite a statement. His rise through the DJ ranks of his native Israel is the house fairytale in its purest form, beginning with throwing regular parties for his mates in his parent’s garage when he was just 14!, support soon developed and he was able to take on bigger underground venues, increase his local profile to massive events as The Love Parade, Gay Parade, Dance & Levis and many others… Back to this days, and things look just as bright. He's increasing his international touring with already full schedule for few months ahead, and has more single releases on the slate with Renaissance, Cocoon and Ovum. Plus, as if that weren’t enough, he’s Just about to release his album with renaissance uk , as their first artist album ever. Still feeling he has a lot to fulfill; Shlomi launched his own record label. This heralded the birth of " Be As One Recordings". The label’s focus is on releasing quality underground music from the wide range between house and techno, with the only constant being that “a track must have the right feeling and stand out in its own way”. With already massive worldwide support from many of the top DJs, features in both magazines and many charts, " Be As One " established as one of the top leading labels in the underground dance music scene.
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